All list prices are in Australian dollars and include postage. For a full list or record stores and mail orders, check the Distro page. |
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Goodgrief Commune - An Eventual History of Longue Durées A punk-primitive free-noise triple-cassette documenting the Melbourne-via-Tasmania faux-skronk aesthetic in all its harmonically oversaturated glory. Evidence of many inner-city days spent indoors, hitting record on a found cassette-recorder, exuding shambolic sonics to be captured on a stack of found cassette-tapes; and rolling till the spools ground to a halt. The results were crudely spliced together, bound up in a monsterous collection, and are now available by masquerading as an album. |
Cover art by Actual Holes. |
Actual Holes - High Horse Oblivion CS22 "Coming on like a loose Psychedelic Schafferson Jetplane ... when the abandon hits, a deluge of free skronkin’ sax and noise joins blasts of thundering drums, feedback and chaos, sending the VU meter high into the red. Highly recommended debut." -- Elevator Press (UK) |
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Cover art by Nathan Gray. |
Psychic Baggage - Psychic Baggage CD "Built around stumbling drum improvisations, indistinct, hazy waves of six-string drone, and meandering, slack-stringed guitar lines that tangle and buckle like power-lines under stress, this self-titled debut is gorgeously indistinct. At its most powerful, like the sprawling 'Drums Meet Guitar', the spray of mottled tones recalls similarly potent explorations by The Dead C, or English post-punk pioneers This Heat. It's beautifully humid, deoxygenating stuff." -- Uncut (UK)
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Cover art by Dylan Martorell. |
Rubbish Throwers - Tapeworms 7" EP "Deep and dark sub-industrial banging and swirling. Title cuts sounds like a Satanic Swell Maps. Total deadman post-punkrock clang. 'Weak Eyelids' is the Antipodean answer to Lamps ... Out of step rhythm-n-burl. B-Side has a atmospheric droner backed with an explosive Gordons-like banger called 'Willworker'. Heavy and dark stuff from Melbourne via Tasmania, highly recommended. Scum stats: 150 copies only, jeeezus..."
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Cover art by Madeleine Leahy. |
Duncan Blachford - Difference and Repetition CS60 Improvised free-form drumming recorded direct to a found cassette tape. Each piece had the following parameters: don't test the recording levels, don't stop until the tape does. The results are a total malfunction of hands, brain and tape. SOLD OUT |
